In this part of my work I feel that I owe less to reading than to observation. I am not aware of having mentioned any important building, statue, or picture which I have not had the opportunity of studying. What I have written in this volume about the monuments of Italian art has always been first noted face to face with the originals, and afterwards corrected, modified, or confirmed in the course of subsequent journeys to Italy. I know that this method of composition, if it has.
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